Forking Hives
*FORKING HIVES* is an art experiment in simultaneous attention, by PerfectaGala. It borrows its logic from networks, from AI systems, and from Borges’ insistence that all paths exist at once. Rather than resolve into a single image or meaning, the work behaves like a hive under stress: branching, vibrating, duplicating itself in real time. Hence the creation of so many images.
in//between
In the hive, creation and circulation happen simultaneously.
look//network
autopilot//and
In the hive, you turn the moment into content *while it’s still happening*.
look//chasing unicorns
full//intention
In the hive, experience and output fold in on themselves.
look//face off
pre//rendered
Making AI art is never fully autopilot, but never fully solitary either.
look//soft cell
shared//and
Sometimes the image arrives fully formed, from somewhere beyond intention, surprised by its own creation.
look//plugged in
partially//processed
Mostly she shapes it deliberately, curating style, nudging form, tracing the edges of her own vision.
look // face value
AI//is//not//treated//as//a//
Pink functions as both surface and interference.
look//circus roar
tool//that//produces//images
Pink softens the grid while refusing neutrality—synthetic, intimate, excessive.
look//house bound
but//as//a//condition
Pink signals care and artificiality at once, a color that hums rather than resolves.
look//pet sounds
borges//labyrinths
FORKING HIVES* does not ask to be decoded. It asks to be inhabited. It proposes art as a networked state.
look//leaf through
why//the//images//proliferate
many minds, many timelines, fully visible, fully entangled, all active at the same time.
look//cyberspace
each//image//a//wandering//labyrinth
Viewers enter at multiple points, experience overlapping signals, and construct their own provisional narratives.
look//suit signal
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